Programme of Lectures
These talks take place at Whiteley Village Hall at 10.30am

Wed 9th January 2019

Picasso and his Women

Valerie Woodgate

There will be Drinks for new members after this lecture
Picasso told his biographer, John Richardson, that his work was like a diary - "to understand it, you have to see how it mirrors my life."

This lecture examines the way Picasso's emotional life influenced what he painted and how he painted it. His response to each new love in his life can been seen in the different styles in which his many women were represented. When he fell out of love, that fact would be revealed first in his paintings. We will concentrate on the seven most important women in his life, two of whom he married.

Val Woodgate has lectured to us several times before, getting stellar ratings from our committee each time.
Stacks Image 15464
Lecturer and Guide in Tate Britain and Tate Modern, also at many other London galleries. Former member of the teaching team at Dulwich Picture Gallery. Lecturer and runs courses at Pallant House Gallery, Chichester.

Image of: Valerie Woodgate
Wed 13th February 2019

The Queen of Instruments: The Lute within Old Master Paintings

Adam Busiakiewicz
The lute holds a special place in the history of art: painters of the Italian Renaissance depicted golden-haired angels plucking its delicate strings, evoking celestial harmony; in the sixteenth century, during the rise of humanism, the lute was a becoming pastime of educated courtiers, as depicted by the likes of Holbein and Titian; throughout the seventeenth century, the instrument continued to play a key role in emphasising the intimate, debauched and transient pleasures of interior scenes by Jan Steen and portraits by Frans Hals. This lecture looks at the lute, and other musical instruments, as devices to express various aspects of the human character throughout the ages.

As part of this lecture Adam Busiakiewicz will perform on the lute.

This lecture was recommended by a couple of Societies in our Area.
Stacks Image 15475
Adam Busiakiewicz is an Art Historian, lutenist and lecturer. After completing his Bachelor’s Degree in History at UCL in 2010 he held the position of Head of Historical Interpretation (curator) at Warwick Castle. He left the castle in 2013 after winning a full AHRC studentship to pursue a Master’s Degree in Fine and Decorative Art at the Sotheby’s Institute of Art, London. He is currently pursuing his doctorate in Art History at Warwick University after winning a CADRE Postgraduate Scholarship in 2017.
Earlier in December 2014 he became the youngest Guide Lecturer at the Wallace Collection, where he regularly gives talks, tours and lectures to both public and professional audiences. He has also given lectures at the National Gallery in Trafalgar Square, London, and is organising a series of talks there on the lute in paintings in 2018.

Wed 13th March 2019

Mad Men and the Artists - how the advertising industry has exploited fine art

Tony Rawlins
Fine Art has provided advertisers and their agencies with a great deal of material to use in their creative campaigns.

Tony Rawlins describes some of the processes by which these advertisements have been created and while the works of Leonardo da Vinci, Raphael and Michelangelo have been a particularly rich source. From the Renaissance, through to the present day, fine art continues to provide opportunities to enhance Brand imagery with admiration, humour, satire and irony.

This lecturer presented for the first time at Directory Day 2018 and has a positive and enthusiastic style. So far he only has the one lecture in his repertoire.
Stacks Image 15492
Tony Rawlins started his career in advertising in 1965 as a mail boy in J. Walter Thompson. He worked as account director in a number of agencies before setting up on his own in 1985, primarily to handle Guinness accounts in Africa and the Caribbean, where he produced many commercials and ads for them over a period of 15 years. He remains active in the industry, but now concentrates on more philanthropic projects, such as a sanitation project in Haiti after Haiti was devastated by Hurricane Matthew in 2016.

Having been an Arts Society member for many years, he became an Arts Society accredited lecturer in March 2018. His lecturing experience includes presenting to client groups, sales conferences, students of creative advertising in the UK and overseas, on creative and marketing strategies and on film production. TASW is the first Arts Society to book him to lecture.

Image of: Tony Rawlins
Wed 10th April 2019

Pots and Frocks - The World of Grayson Perry, from Essex Potter to Superstar National Treasure

Ian Swankie
Widely known for his appearances dressed as his feminine alter ego, Claire, Grayson Perry RA is now a core part of the art establishment. Ten years after winning the Turner Prize he gave the brilliant BBC Reith Lecture in 2013. His works of ceramics, textiles, tapestries and prints are highly sought after. Often controversial, he is able to tackle difficult subjects in a poignant yet witty way. This talk will examine Grayson Perry’s works, his exciting and thought provoking exhibitions, and we’ll look at the character inside the flamboyant frocks.

This lecture has been top-rated by two Arts Societies in our Area. 
Stacks Image 15506
Ian Swankie:
A Londoner with a passion for art and architecture. He is an official guide at Tate Modern, Tate Britain, Guildhall Art Gallery and St Paul's Cathedral, and gives regular tours at each venue. Also a qualified and active freelance London guide and a member of both the City of London and Westminster Guide Lecturer Associations. Clients include WEA groups, Transport for London, the National Trust and London Open House. In 2012 he established a weekly independent art lecture group in Richmond and gives talks on a variety of subjects.

Image of: Ian Swankie
Wed 8th May 2019

Posters of the Belle Epoque, the Great Age of the Poster

Charles Harris
This is the keystone lecture of the Poster Series relating the technical innovation combined with creative genius and remarkable craftsmanship that enabled the Poster to become the world’s first effective method of mass communication. From ‘Les Chats’ by Edouard Manet to ‘Saxoleine’ by Jules Cheret and ‘Moulin Rouge’ and ‘Divan Japonais’ by Toulouse-Lautrec, you’ll see inspirational work by generations of superb artists who made the poster great: magnificent Mucha, socially-conscious Steinlen, and many more. Learn how an effective poster is designed and how it plays on the mind; and why most posters today go unnoticed. 

Charles Harris gets very good ratings for his lectures on posters, this is the introductory lecture giving an overview.
Stacks Image 15520
Focusing on the role of posters and poster artists in the history of advertising, this global-award winning Creative Director of international advertising agencies has lectured extensively on design, illustration and photographic styles as they have influenced the building of brands. He has himself created posters for major brands including British Airways, Nestlé, Sony, General Motors and Shell. His travel writing and photography has appeared in various airline magazines as well as Time. He has also written and produced several hundred TV and Radio commercials and corporate video programmes. A member of Winchester DFAS.

Image of: Charles Harris
Wed 12th June 2019

Frida Kahlo and Diego Rivera: The Golden Age of Mexican Painting

Chloë Sayer
Frida Kahlo (1907-1954) and Diego Rivera (1886-1957) have iconic status in Mexico. The Mexican Revolution of 1910 swept away the old régime and banished European influence in the arts. Kahlo and Rivera, in their different ways, helped to shape the cultural identity of twentieth-century Mexico. Together they made Mexico a magnet for the rest of the world.

The Mexican mural movement, born during the 1920s, was destined to produce some of the greatest public art of the last century. Diego Rivera’s panoramic images adorn the walls of public buildings, combining social criticism with a faith in human progress. Inspired by early Italian fresco painting, as well as by Aztec and Maya imagery, his intricate visual narratives incorporate allegory and symbolism.

West Surrey Area booked this lecture last year, and asked local societies not to book it at the same time. So we have waited until this year. It has top feedback from one local arts society.
Stacks Image 15534
Chloë Sayer is a freelance specialist in the art and culture of Latin America.

She has made ethnographic collections and carried out fieldwork in Mexico and Belize for the British Museum. In 1991 she co-curated the exhibition THE SKELETON AT THE FEAST: THE MEXICAN DAY OF THE DEAD at the Museum of Mankind in London. She has curated several other exhibitions of Mexican folk art, and has also worked on a number of television documentaries for the BBC and Channel 4.

Image of: Chloë Sayer
Wed 14th August 2019
(Please note change of lecture on this date)

Treasures of the Fan Museum: An Introduction to the World's First Fan Museum and its unrivalled collection of Hand Fans

Jacob Moss
Occupying a pair of early Georgian townhouses nestled in historic Greenwich, the story of how The Fan Museum came to fruition is interwoven with the fascinating biography of its founder, whose personal collection forms the basis of the Museum’s holdings. From an especially rare Elizabethan-period embroidered folding fan to contemporary examples decorated by street artists, discover some of the key objects within the Museum’s collection of 5,000+ fans dating from the tenth century to the present day.

If you are a new lecturer presenting for the first time in March 2019, Societies will have long ago finalised their 2019 lectures, so you will almost certainly have to wait until 2020 (between 9 and 21 months) before you give a lecture to an Arts Society. Hence the two gaps we left in our programme of lectures for 2019. Jacob Moss is presenting for the first time at The Arts Society Directory Day March 2019. The subject matter, fans, might sound rather obscure, but if you think about it, fans can have many aspects, eg craftsmanship, art work, history, reflecting different cultures, a means of conveying feelings etc.
Stacks Image 15562
Having obtained a postgraduate degree in Fashion Curation from London College of Fashion in 2010, Moss took up a position at The Fan Museum, Greenwich, the UK’s only Museum dedicated to the history of fans and craft of fan making. As the Museum’s Curator, he is responsible for co-organising the temporary exhibition programme.
In May 2018 he was awarded an Art Fund Jonathan Ruffer Curatorial Grant in support of a collections management project to be launched later this year in collaboration with the Cooper Hewitt, Smithsonian Design Museum, New York.
Wed 11th September 2019
(Please note change of lecture on this date)

"Mars and the Muses": The Renaissance Art of Armour

Tobias Capwell
Stacks Image 15545
Armour was one of the great Renaissance art-forms. In the fifteenth and sixteenth centuries most of the richest noblemen in Europe were dedicated patrons of the armourer’s art, a kind of visual language which they used to project their identity and prestige. The armour-making process demanded both fantastic skill in the sculpting of iron and steel and mastery of decorative techniques such as acid-etching and mercury-gilding. This lecture serves as an introduction to the idea of armour as an expressive art-form, where the achievements of virtuoso armourers embodied splendour and richness while also carrying more complex messages about status, aristocratic associations, the social order and divine power.

The subject sounds obscure, but this lecture received excellent ratings from two Arts Societies in our area.
Stacks Image 15548
Toby is Curator of Arms and Armour at the Wallace Collection in London and an internationally-acknowledged authority on Medieval and Renaissance weapons. He is the author of numerous books on the subject of arms and armour. Toby also appears regularly on television, most recently on A Stitch in Time (2018; BBC4); as presenter and armour advisor on Richard III: The New Evidence (2014; C4), and as the writer and presenter of Metalworks: The Knight's Tale(2012; BBC4). In 2015 Toby had the unusual honour of serving as one of the two fully armoured horsemen escorting the remains of King Richard III, from the battlefield at Bosworth to their final resting place in Leicester Cathedral.
Wed 9th October 2019

Coffee 9.30 for 10.00am

Annual General Meeting
followed by

Rebel on the Run - Caravaggio's Final Years

Siân Walters
Stacks Image 15573
Caravaggio was the definitive bad boy of art history – determined and ambitious yet irascible and highly volatile. In 1606 his life was to change forever following a particularly violent and bloody brawl in which Caravaggio, himself badly injured, ended up killing a certain Ranuccio Tommasoni with his sword. This lecture will explore in particular the remarkable stylistic transformations that took place during the last four years of Caravaggio’s life, a period of restlessness and yet extraordinary creative activity when the artist was forced to leave Rome, realising that his own life was now on the line. 

Image: David with the head of Goliath

The lecturer lives locally, and carries out series of lectures in Cobham, and this lecture was top-rated by a local Arts Society in our area.
Stacks Image 15576
Studied at Cambridge University. Lecturer at the National Gallery and The Wallace Collection and taught at Surrey University, specialising in 15th and 16th century Italian painting, Spanish art & architecture, and the relationship between dance and art. Also teaches private courses, and organises lectures, study days and art holidays abroad. Has lived in France and Italy, where she worked at the Peggy Guggenheim Museum in Venice.

Image of: Siân Walters
Wed 13th November 2019

"Making Visions": The jewellery of artist Charles Ricketts

Helen Ritchie
Stacks Image 15607
An in-depth look at the unique jewellery created by flamboyant artist Charles Ricketts at the turn of the twentieth century. His intricate and richly-enamelled neo-Renaissance pieces were designed as gifts for his many friends including May Morris and the fascinating literary couple known as Michael Field.

Image: Pegasus pendant, 1901, designed by Charles Ricketts for Michael Field

© The Fitzwilliam Museum
Stacks Image 15610
Helen Ritchie is a newly accredited Arts Society lecturer, and presented for the first time at Directory Day in London in March 2019.

She is a Curator of Modern Applied Arts at The Fitwilliam Museum, University of Cambridge. Recent exhibitions include
Things of Beauty Growing: British Studio Pottery (2018), Flux: Parian Unpacked and Designers and Jewellery 1850-1940; Jewellery and Metalwork from The Fitzwilliam Museum, for which she wrote the accompanying catalogue.

Helen is also the author of
A Passionate Collector: Mrs Hull Grundy and Jewellery from the Harrogate Collection (2014). She studied at Trinity Hall, Cambridge and the University of the Arts London, and has worked at numerous institutions including the Royal Collection Trust, Christie's, Harrogate Museums and the British Museum
Wed 11th December 2019

Is Christmas in Good Taste?

David Phillips

There will be Christmas Drinks and Mince Pies after the lecture
Even in ancient Rome people made complaints about the mid-winter Saturnalia celebrations remarkably like the ones we hear today about our commercialised Christmas. In a light-hearted historical review we discover some wonderful and some gloriously awful Christmas imagery, from Giotto’s painting of the first Christmas crib until Dickens meets Coca Cola amongst the movers and shakers who sometimes seem to have turned Christmas into Kitschmas. 

The pre-Christmas lecture can be the most difficult slot to fill. This lecture has been highly recommended by two Arts Societies in our Area.
Stacks Image 15604
Studied History at Oxford, and from 1968-82 worked for Nottingham Castle Museum. From 1982-98, Lecturer in Museum Studies and Art History at University of Manchester. Published a book about museum practice with Manchester University Press, Exhibiting Authenticity 1997. 

Image of: David Phillips

Enquiries about the Programme can be sent by email to our Programme Secretary, Stephen Hayes, at progsec@theartssocietyweybridge.org.uk. The lectures are for The Arts Society Weybridge members only.


Hall opens 10.00 am Coffee is served 10.00 – 10.20 am Lecture begins 10.30 am promptly

The Arts Society Weybridge cannot be held responsible for any personal accident, loss, damage or theft of members’ personal property. Members are covered against proven liability to third parties.